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Lynn Laird

BIO The vibrant culture of the Gulf States, where Lynn Laird continues to grow, has a delicious influence on her life and art. Since her first toddling artistic expression in pencil on a pantyhose cardboard, Lynn has sought art instruction provided in books and public schools, primarily using charcoal and ink. Based on these skills, she has had a prolific career creating custom scrimshaw for noted knife-makers and gunsmiths. While recovering from breast cancer, Lynn leapt into the bold colorful world of acrylic, oil, and watercolor painting. Embracing these mediums, she discovered the magic of art as therapy. Lynn continues to explore her artistic voice through her Looking Forward and The Unstrung Marionette series, encouraged by recognition in her community through critical review and awards like selection for the Uncommon Mural project and Collectible Artist. In between joyful adventures and that second line to the Promised Land, happy or sad, life is full of champagne cork-popping celebrations that all have an impact on her art.

Artist Statement: ARTIST STATEMENT Who knew that my art alter ego would be a bald male marionette? The Unstrung Marionette appeared on my canvas one summer insisting he wanted to be painted foot loose and fancy free, no strings attached. In a case of "be careful what you ask for" we now follow his adventures as he tries to keep it all together. In paintings like “I Got This” we see him, chest held high with leg slung over his shoulder, leaving the colorful swirl of chaos behind, and we cheer for him. With the exception of one finger, a shoe, and his hat, he’s almost “got this!” Even though I did not understand at first why he needed to be painted, in oil at that, the message came through quite clearly in his name. The initials for Marion Etoile (whose last name means star in French) are M.E. The popularity of this series shows that many of us can appreciate and find the humor in how even our best efforts to keep it all together sometimes goes awry. - The Unstrung Marionette Series Drawn to explore from broad mountains tops down to the deep recesses between blades of Augustine carpeting our southern lawns, the tiniest flowering plants and wild inhabitants lure me in. Enchantments cast by native flora, fauna, and fae lift the spirits bringing a breath of fresh air to heart and art. As paint pours from brush bristles, capturing both my fancy and nature, there is a lightness in the studio as I feel myself giggle. Redolent of images cavorting through Scottish and English books my great grandmother shared, I wonder now if those magical tales might be more than myth? - Bogs to Bayous Series Transition contains ten key writings that presented themselves, usually shouted into voice text, as I drove back and forth while providing hospice care for my mom. Suddenly inspired while out and about, blurps of words often pop into my head capturing the essence of the idea, the mood, or the scenery that caught my imagination helping the inspiration stay with me. Even though visual art should stand on its own allowing the viewer to form their own opinions and amusements, if I feel a poetic snippet is integral, I enjoy hand writing the words on the back of the artwork where only a few special viewers will see. Then there are the times where in great joy or stress the words and their emotions demand to stand on their own to be seen and acknowledged as in the collection for Transition.
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TRANSITION Lynn Laird 2024 Critical Mass 12 Literary Submission